The cycle of animal paintings ends with an attempt at mutation; the human figure appears in a spiritual dimension linked to the personal experience of the artist at this period.

The exhibition at the Fondation d'Art of the « Château de la Napoule » announces a change of direction of an extremely dense period which ends in 2003.

In parallel his sculptures remain faithful to the animal figure and even become more Complex by group subjects and a monumental dimension for some works like « Petite piste, long chemin » (7 meters long).